Glossary
| Acid Migration |
The transfer of acid from an acidic material to a non-acidic material. This can happen even when the two materials are not quite touching. |
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| Acid-Free |
Free of chemicals that harm photos in scrapbook projects. Generally, materials whose ph is over 7.0 are considered acid-free. ALL materials used in scrapbook pages should be acid-free. |
| Acid-free Paper |
Acid-free paper is paper that has a neutral or basic pH (7 or slightly greater). It addresses the problem of preserving documents for long periods. In short, any paper with a pH less than 7 are said to be acidic and paper with a pH greater than 7 are s |
| Acrylic paint |
Water soluble paint made from pigments and a plastic binder; sometimes used with stamps instead of ink; sometimes applied directly to paper and other embellishments. Especially good used with foam stamps (rubber stamps are too detailed) |
| Acrylic Rulers |
Clear acrylic with 2-colour grid for precision measuring and detail cutting. Great for quilters. |
| Adhesive |
Anything that sticks one material to another. Several common types of adhesive are double-sided tape, glue dots or glue sticks. |
| Adhesive Tape Runner |
Tiny strips of double sided tape in a dispenser. |
| Adjustable Pivot Screw |
Lets you adjust scissors blade tension to your own comfort level. |
| Album |
A book in which to store your completed scrapbook pages. |
| Alkaline |
A term used when something contains alkali or has a ph level of more than 7.0. It is the opposite of acidic. In paper products, an alkaline substance is added to the pulp during the manufacturing process, which gives permanence and durability. |
| Applique |
Applying shaped pieces of fabric to a foundation fabric to form a design or pattern. |
| Archival Ink |
Long-lasting dye ink that will not fade or smear. Even when you apply water colours after stamping, it will not bleed. |
| Archival Safe |
Archival materials are meant to last about 100 years. Archival-safe materials can be safely used for preservation purposes. |
| Bent Scissors |
Angled handles make it easy to cut cloth and other materials on flat surfaces. |
| Blade Sheaths |
Protective sheath that keeps blades enclosed and fingers intact. |
| Bone Folder |
A flat piece of bone or plastic, round at one end, pointed at the other; about the size of a letter-opener. Used for scoring and folding paper. |
| Border |
The margins of a scrapbook page. Usually spoken of in terms of decoration. |
| Border punch |
Punch easily the margins of a page or card (straight or circle, punch and/or emboss). |
| Brad |
Embellishment/accent that is usually metal. The top often looks like a small nail head, but can be a variety of shapes and colors. Bendable metal prongs attached to the bottom of a brad are pushed through holes in paper (or other material) and then bent o |
| Brayer |
A tool resembling a small paint roller, often made of rubber, hard foam or a soft sponge-like material. Use it with paint or ink to create decorative patterns on a flat surface. |
| Brush Markers |
Water-based marking pens with a long, broad tip for colouring in stamp images, or colouring directly onto the stamp. |
| Calligraphy |
Formal, old fashioned lettering. |
| Cardstock |
Stiff, heavier weight paper used widely in scrapbooking and paper crafts. Available in hundreds of colours. |
| Chalks |
Acid-free chalk that is usually applied with an eye shadow-type applicator or cotton swab to add dimension to die cuts, torn edges, cards, etc. |
| Cheese-holing |
Use a hole punch or similar to make lots of holes in cardstock to make a lovely holey effect! |
| Clip Art |
Art purchased in book or software from that can be applied to scrapbooking pages. |
| Coated Paper |
A paper with a finishing layer on one or both sides of the core sheet. |
| Collage |
An artistic composition made of various materials (paper, cloth, wood) that are glued onto a surface. |
| Colour Blocking |
The technique of using blocks (not necessarily square) of different, (usually solid) coloured paper to create layout/page backgrounds. |
| Colourfast |
Light, acid and heat are the main things that can harm your scrapbooks or cards. A colourfast item resists all three. |
| Confetti |
The paper shape which results from using a paper punch tool - not the hole left by the punch. Punchies can be used on a scrapbook page for decorative effect, if they have been punched from acid free paper. |
| Corner punches |
Great punches for embellishing corners, borders, frames and detailed piece work (punch, cut and/or emboss). |
| Corner-Edger Scissors |
Scissors that cut corners. Each pair creates four different types of corners. |
| Craft Knife |
A Craft knife with a sharp removable blade used for cutting papers and card. |
| Craft Punches |
Punches are small devices used to literally punch out shapes of paper, like an old fashion hole punch except these punch hearts, houses, flowers and much much more. |
| Crimper |
Sometimes paper can seem too flat. A crimper adds dimension. |
| Crop |
To cut or trim a photograph. A crop is an event where scrapbookers meet to work on their scrapbooks, share tools and techniques. |
| Crop Photo |
Using a scissor or craft knife to cut away unwanted parts of a photo in order to create a focal point. |
| Cutting Mat |
This is a thick mat used for cutting and cropping on, it protects the surface underneath that you are working on and gives stability to your working surface. |
| Debossing |
The opposite of embossing; the design is indented into the paper or material. If you turn the paper over, it's embossed. |
| Decorative Edging Scissors |
Used to cut photos and paper they cut out a decorative edge and come in many designs and sizes. |
| Decorative Rulers |
These are plastic or metal rulers that have been shaped to give you a decorative edge that you can either cut or draw along. |
| Die-Cut |
A shape that is cut with a die and using card, paper or other material. |
| Double-Mount |
To place a photo on two background papers. |
| Dust |
This can harm your photos by leaving small scratches on the surface of your pictures so always make sure they are kept dust free. |
| Dye Inks |
Quick drying ink, not generally used for embossing. Ideal for use on vellum paper if you do not wish to add embossing powder. |
| Embellishment |
An item used to enhance or add decoration to a layout, papercraft project - any craft project in fact! |
| Embossing |
Creating a raised three-dimensional design or image on paper or other materials. |
| Embossing (Dry) |
Creating a raised design on card stock, paper or other material using either a brass stencil with a light source and stylus, or with stacked stencils (Fiskars Embossing System: ShapeBoss, Scrapboss, Texture Platesâ€_) and a stylus. Either way, the results |
| Embossing (Wet) |
A technique which uses a rubber stamp with inks and embossing powder and which is then heated with a heat gun. This then results in a raised stamped image on paper or other material. |
| Embossing Ink |
Thick, clear or slightly tinted ink used in (wet) embossing to adhere embossing powder. This ink is slow-drying to give you time to add the powder and to heat dry. |
| Embossing Powder |
Powder applied using embossing ink, then heated until it melts to create a raised, embossed, colored image on paper or almost anything else. |
| Eyelet Setter |
A metal tool used for applying eyelets. |
| Eyelets |
Small hollow metal shapes, applied to a small hole punched in paper or fabric and then secured by splitting the base of the eyelet open with an eyelet setter. |
| Fabric Paint |
Paints made specifically for applying to fabrics that will be permanent after setting. |
| Focal Point |
The place on a design/layout/image to which the eye is naturally drawn; generally it is desirable for a main photograph to be the focal point of a scrapbook page. |
| Font |
The style of a typeface; thousands of different fonts are available in word processing programs, on CD’s, and for download on the internet. |
| Gel Pens |
Ball point pens with smooth-flowing, acid-free and archival quality ink. |
| Gloss Finish |
A lustrous, shiny, surface on photographs; can also describe the surface of some metals, papers, paints, etc |
| Glue Dots |
Extremely sticky round dots of glue used to hold on embellishments such as buttons or heavy metal pieces. Also very useful in sticking things to papers and materials that are normally stick-resistant. |
| Glue Stick |
A round stick of solid glue which is used to adhere embellishments to scrapbook pages, cards, tags, etc. |
| Guillotine |
Trimmer system with a blade moving and cutting from top to bottom. |
| Hand Tinting |
The process of applying colours with oils or dyes to the surface of a black-and-white photograph, giving it the appearance of a coloured photograph. |
| Handmade Paper |
Paper made by hand that is often rough and uneven in texture. There are flowers and leaves in the paper sometimes, which can add a natural look to your scrapbook. |
| Heading |
The caption or title that explains the theme of a layout. |
| Healing mat |
see “Self-healing matâ€ù |
| Heat |
Your photos should be exposed to a cool environment; heat can speed up the break down of chemicals in the picture processing. |
| Heat Gun |
A hand held heating tool, used to melt embossing powder so it adheres to paper or other material to produce a raised stamped image. |
| Idea Books |
Books which give you scrapbooking ideas! Usually filled with lots of lovely colour pictures showcasing designers pages, with hints and tips on how to achieve the same look. |
| Inking |
The technique of using ink pads to smear, accent by smudging, or staining on the edges of paper and other embellishments. |
| Iris folding |
This technique uses folded strips of paper, which are arranged in decreasing concentric spirals following a shaped template. The resulting picture seems to spiral into a centre or 'iris', like an old-fashioned camera shutter. There are lots of patterns an |
| Journaling |
Hand-written or computer generated on a scrapbook page that usually tells the story of what's going on in the photos. |
| Lamination |
The permanent bonding of two layers of plastic film to one or two sides of a flat item. This process can be done by applying high heat and/or pressure (which makes it irreversible), and also cold pressing - not recommended for valuable items. |
| Layout |
The arrangement of elements on a scrapbook page or other work of art. |
| Lightfast |
Lightfast paper and ink are resistant to change from aging or exposure to light. Sometimes they are referred to as “fade-resistantâ€ù or “colourfastâ€ù. |
| Lignin-Free |
Lignin is what holds wood together. But if it's not removed during the papermaking process, the paper can change colour and become brittle over time. Documents and projects for archiving need to use lignin-free paper. |
| LSS |
An acronym for Local Scrapbooking Store. Often used on internet scrapbook forums. |
| Masking |
A technique that gives the effect of stamped images behind each other or in front of each other. |
| Matte Finish |
Dull not glossy surface of photos and papers. |
| Matting Photo |
Mounting a photo onto a larger piece of paper or several concentric layers to produce a pleasing effect. |
| Memorabilia |
Items that tell a story - such as certificates and documents or momentos. |
| Micro-Tip® Scissors |
Scissors with a specially sharpened point for precise cuts. |
| Monochromatic Colours |
Different values of the same colour. |
| Mosaic |
In papercraft this is a technique where you cut photos or paper into small shapes and piece them together to create the mosaic effect. Mosaic can also apply to ceramic tiles, glass etc. and small tiles can be bought specifically for creating a mosaic eff |
| Motif |
A single or repeated design - a design element, image or drawing. |
| Mount |
To adhere a photograph, embellishment or other item to another piece of paper. |
| Mulberry Paper |
A long tough fibre that easily feathers on the edge when wet and torn. Available in many different colours and weights. |
| Mylar |
A reasonably hard wearing protective polyester covering that can be used to cover album pages. Also used in the production of templates. |
| Non-Bleeding |
A term that describes an ink that does not spread from the original mark on the paper's surface. Non-bleeding depends on both the degree of sizing in the paper and the use of solvents (other than water) in ink. |
| Non-Stick Scissors |
A special blade coating which repels the sticky residue from tape and glue. |
| Odourless |
Having no odour. An odour may be a sign of a chemical breakdown. The emitted gas will speed up the deterioration of stored materials; therefore, most products used in preservation should be odourless. Note: The one exception is inks that use preservatives |
| Opaque |
Any substance or surface that will not allow any light to pass through. |
| Page Protectors |
Prying eyes may be okay, but prying fingers are not. Protect your scrapbook pages with clear view sleeves or album protectors. |
| Paper Edgers |
Decorative-edge scissors. |
| Paper Piecing |
The process of taking a design, making a pattern, cutting it down into smaller sections and then re-assembling it. |
| Paper Tearing |
The technique of tearing the paper rather then cutting the paper to create a unique edge. |
| Paper Trimmers |
Paper-cutting tools used by placing paper, lining it up on a grid and moving down a blade. |
| Parchamoré |
The rich parchment crafting history of the Parchamoreâ„¢ Crafting System goes back centuries to when nuns did detailed work on real animal skin parchment. This modern, quicker and easier embossing method uses archival friendly cotton and wood pulp parchme |
| Patterned Paper |
Paper with designs repeated on the entire page. |
| Ph Level |
A measurement that tells a scrapbooker how acidic or basic something is. For scrapbooking, you want to use products with a ph level of seven or above. |
| Photo Corners |
Triangular-shaped pockets used to secure photos to an album page or other surface. |
| Photo Safe |
This term is generally used in place of the term acid-free when a manufacturer can't legally claim that a product is acid-free. As a rule of thumb, it's a good idea to avoid products that claim to be photo safe rather than acid-free. |
| Photo Stickers |
Attach photos, diecuts and memorabilia to scrapbooks, cards and more with these double-sided stickers. |
| Pigment Ink |
Slow drying ink, used widely for wet embossing. This ink is also used regularly in scrapbooking because it tends to keep its deep, rich color longer than other inks. |
| Pinking shear scissors |
Precise zig-zag cutting action which prevents fraying when cutting larger pieces of fabric. |
| Punch art |
A decoration made up from punchies. The components may or may not have anything to do with the final art. For example, a flower may be made from overlapping heart shaped punchies in a circle with a small circle punchie in the centre. Freehand cut a stalk |
| Punches |
Punches are devices of varying sizes, used to literally punch shapes out of paper. |
| Punchies |
The paper shape which results from using a paper punch tool - not the hole left by the punch. Punchies can be used on a scrapbook pagefor decorative effect, if they have been punched from acid free, lignin free paper. |
| PVC-Free |
PVC (polyvinyl chloride) releases gases that cause rapid deterioration, making photos fade almost completely in three to five years. |
| Quilling |
Technique that rolls strips of paper to make different shapes to embellish your project. |
| Razor-Edged Scissors |
The sharper the blade, the easier it is to cut through multiple layers of paper or fabric. And we have some very sharp blades. |
| Red-Eye Pen |
Used to take red-eye out of flash photographs. |
| Reversible or Removable Adhesive |
Adhesive that can be used when you want to remove the photo or object you are using. |
| Rotary Cutters |
Contoured handle at one end, circular blade at the other. So comfortable to cut through multiple layers of fabric, paper and more. |
| Rub-ons |
Words and designs that you can rub onto a surface with a tool, such as a wooden stick, until the design has been adhered to your surface. |
| Sanding |
The technique used to distress, age or roughen the surface or edge of paper and other materials. |
| Scrapbooking |
Creative art of taking books with blank pages and adding photos, memorabilia, journalling, and embellishments. The primary purpose of scrapbooking is to preserve memories for future generations, but a secondary purpose often is to exercise your creativity |
| Scrapboss |
Tray with pegs that provides a base for Fiskars two-part stencils to make embossing simple and easy. Ideal size for scrapbooking: 30 x 30 cm. |
| Self-Healing Mats |
Gridded surface for cutting with ShapeCutter, Rotary cutters and craft knives. The material of the mat is such that small cuts into the mat 'disappear' and they are therefore very hard-wearing. |
| Sepia |
A brown tint (originally squid ink) added to photos to give them an old-fashioned appearance. Very popular in heritage photos or photos of children. |
| Sewsharp |
Hand-held scissors sharpener. |
| Shaker |
An embellishment created by putting small punched pieces, glitter or other small, flat objects between a layer of material and transparency film. Usually used on handmade cards or scrapbook pages. As much fun to make as to view. |
| ShapeBoss™ |
Tray with pegs that provides a base for Fiskars two-part A4 stencils to make embossing simple and easy. |
| ShapeCutter™ |
Tool designed to cut shapes (circles, ovals, stars, etc.). Can be used with Shape Templates or used free-hand. |
| Sharpener |
Tool to sharpen the blades of scissors. |
| Silhouette Photo |
Cutting around the subject carefully in order to preserve detail, then mounting it on a contrasting background. |
| Softouch Scissors |
Spring-action scissors that automatically open after each cut. |
| Sponging |
Using a small sponge you dap lightly onto a piece of paper leaving a distinct sponge look of small dots. |
| Squeeze punch |
Revolutionary punch with two squeeze handles. We flipped it over, so you don't have to. With this unique design you can see exactly where you cut, for perfect punches and no more wasted paper.The squeeze motion requires seven times less force than other p |
| Stamp |
Clear, rubber, felt or foam pads for printing patterns onto paper or other material. |
| Stencil |
Tool to help cutting or embossing shapes. |
| Stickers |
One of the most basic scrapbooking supplies. Scrapbooking stickers should be acid free. Traditionally scrapbooking stickers are made out of printed paper, adhere to your page with a sticky back and are very quick, and easy to use. Give your scrapbook page |
| Stitching |
Using sewing stitches on a scrapbook page or card rather then on fabric. |
| Stylus |
A tool used in dry embossing with either one or two metal ball shapes on either end. |
| Swivel Knife |
Small, curved-blade knife that turns with the motion of your wrist so you look more skillful than you need to be. |
| Tape Runner |
A rolling device that distributes double sided tape onto pages or photographs. |
| Tear edgers |
Used to cut photos and paper tearing out a decorative edge. |
| Template |
A sheet, usually of soft or hard plastic, with cut-out shapes that you can use to trace or cut identical shapes from paper or other materials. |
| Texture Plates |
These plastic plates add textures to papers, metal, clay and more. |
| Theme |
The overall emphasis of a page or scrapbook. |
| True Left-Handed Scissors |
Blades are "flipped" to make life easier for lefties. |
| Unmounted Stamps |
Rubber or vinyl stamps that are not mounted to any backing or block. |
| Vellum Paper |
Translucent paper that can be used for everything from stamping to cardmaking to creating memory boxes. |
| Watercolour |
Transparent and water soluble after drying. |


